MUSIC: CREATIVITY, STREAMING & PLATFORMS

OCP23 is now over. The full papers presented in the 2023 edition of Online Conference Papers are no longer accessible. You can read the original abstracts of the papers accepted for presentation onsite (Lyon23) and/or submitted online (OCP23) in the abstract books.

Chair: Ignacio Gallego
2120
From youtuber to rapper. The place of music production in the careers of YouTube media stars.
Caroline
Creton
UCO-BS
2251
All you can listen to: disputes between scarcity and excess in globalized music consumption
Jose Claudio S.
Castanheira
Fluminense Federal University
3029
The Communication of Short Videos with TikTok Earworms Based on Interaction Ritual Chains
Xinzhou
Xie
School of New Media, Peking University
Haocheng
Peng
School of New Media, Peking University
4771
Recommendations Trap: Cost and Solution
Paul
Kulik
No affiliation
4692
T-AGP: A Music-Researching Method Based on Data-driven Comprehensive System of Network Analysis
Yuqiao
Yan
Tsinghua University
4449
HYBRIDISATION AND TRANSMEDIA NARRATIVES IN CONTEMPORARY POPULAR MUSIC. THE CASE OF THE VIRTUAL BAND GORILLAZ
Cristina
Pérez Ordóñez
Universidad de Málaga
Andrea
Castro
University of Málaga
José Luis
Torres Martín
Universidad de Málaga
1660
DUETS, PERFORMANCES AND MUSIC DECOLONIZITATION ON TIKTOK
Arantxa
Vizcaíno Verdú
University of Huelva
512
¿Afecta Tik Tok en la creación musical? Nuevas formas de consumir música.
Andrea
del Zapatero Estefani
Universidad de Sevilla

Sciences po Lyon          IAMCR

in partnership with:

Congres Lyon 1     Only Lyon

 

with the support of:

Universite Lumiere      Jean Moulin      Elico logo