Digital Art, Imaginaries & Visualities

OCP23 is now over. The full papers presented in the 2023 edition of Online Conference Papers are no longer accessible. You can read the original abstracts of the papers accepted for presentation onsite (Lyon23) and/or submitted online (OCP23) in the abstract books.

Chair: Asli Caglar
4914
The Creative Practices Using Media Technologies in the Urban Environment
Asli
Caglar
Paris 13 / Université Sorbonne Paris Nord (USPN) École Doctorale ERASME, Laboratoire des Sciences de L’Information et de Communication (LabSIC)
3899
Fashion through the looking glass. The new circle of production of imaginaries within the Digital world
Michele
Varini
Università Cattolica del Sacro Cuore di Milano
3260
Museum Without Walls: A Mixed Method Study of Google Arts and Culture’s Partner Institutions
Bethany
Berard
Carleton University
Sarah
Smith
Western University
1859
A new way of seeing and being seen: participatory art and self-exhibition in social media sharing
Manxin
Xu
The Chinese University of Hong Kong
1579
Screens as Archipelago: Expansion, Fluxion, and Dispersion of Screen-based Public Art in China
Yuyang
Zeng
Xiamen university
5161
Art, media and digital platforms: the Virtual Museum of Lusophony on the Google Arts & Culture
Alessandra
Nardini
Universidade do Minho
Elaine
Trindade
University of Minho |CECS (Portugal)
Moisés
de Lemos Martins
Lusophone University
1391
The Subjectivity and Ethical Concerns in the Production and Communication of the Animated News: Research on the Beijing News·Animated News
Mi
ZOU
Communication University of China
546
From Surface to Cloud, and Return: The Migration of Moving Image
Tianle
Huang
Communication University of China
1180
Taking pictures in response to VUCA: Double remediation of in-game photography during the COVID-19 pandemic
Zizhong
Zhang
School of Journalism and Communication, Tsinghua University
Qiaolei
Jiang
School of Journalism and Communication, Tsinghua University
Shan
Gao
School of Journalism and Communication, Tsinghua University

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