Transmedia, Visual Reporting, (Auto)Ethnography, Cine-Activism, Counter-visuality, Intermedial Hybridity

OCP23 is now over. The full papers presented in the 2023 edition of Online Conference Papers are no longer accessible. You can read the original abstracts of the papers accepted for presentation onsite (Lyon23) and/or submitted online (OCP23) in the abstract books.

Chair: Giacomo Toffano
2626
Refugee hybrid-fiction: rhetorical, generic, and intermedial hybridity as strategies of resistance
Giacomo
Toffano
VUB
Kevin
Smets
VUB
586
Extensiones transmedia del videoclip musical: el formato en la industria musical y la ecología de los medios
Ana
Sedeño-Valdellos
Universidad de Málaga
1274
Adapting participatory photography from on-site to online in ASEAN's visual (auto-)ethnography
Kristian Jeff
Agustin
Manchester Metropolitan University
4811
Humanizing the Environment: Character Presentation in Solution-Oriented Visual Reporting
Petra
Kovacevic
University of Zagreb
Kyser
Lough
University of Georgia
957
The landscape of Brazilian documentary-based cine-activism in the 2010s
Giancarlo
Couto
Pontifícia Universidade Católica do Rio Grande do Sul
Cristiane
Freitas Gutfreind
Pontifícia Universidade Católica do Rio Grande do Sul
Márcio
Zanetti Negrini
Pontifícia Universidade Católica do Rio Grande do Sul
Giulianna
Nogueira Ronna
Pontifícia Universidade Católica do Rio Grande do Sul
1108
The Woman King: A Disruptive, Yet Unruly Site of Countervisuality
Nandi
Pointer
University of Colorado - Boulder
1187
Affective Fabrics of Digital Cultures: Video Ethnography in the Visualized Pandemic
Kunpeng
Miao
Communication University of China
3922
Visual journalism when the ground shakes. Reporting on the earthquake in Syria and Turkey through information visualization.
Ángel
Vizoso
Universidade de Santiago de Compostela
4141
VISUAL CULTURE AND FEMINIST GRAPHIC ACTIVISM ON INSTAGRAM IN SPAIN AND LATIN AMERICA
Andrea
Castro
Universidad de Málaga
Cristina
Pérez Ordóñez
Universidad de Málaga
José Luis
Torres Martín
Universidad de Málaga
3861
La Historia Alternativa como alegoría en la ficción americana. Distopía racial y fantasma “real” en Watchmen (HBO, Damon Lindelof, 2019) y The Plot Against America (HBO, David Simon, 2020)
Glòria Salvadó
Corretger
Universitat Pompeu Fabra
Fran
Benavente
Universitat Pompeu Fabra

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in partnership with:

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with the support of:

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