Producing the popular: dynamics in the media industries - OCP

OCP23 is now over. The full papers presented in the 2023 edition of Online Conference Papers are no longer accessible. You can read the original abstracts of the papers accepted for presentation onsite (Lyon23) and/or submitted online (OCP23) in the abstract books.

Chair: Niall Brennan
382
Cultural Politics of US-based Streaming Services in Korea
Taeyoung
Kim
Loughborough University
2622
Smells Like Teen Streaming? Netflix's Teen Originals and the transnationalisation of a genre
Axelle
Asmar
imec-SMIT, Vrije Universiteit Brussel
Tim
Raats
imec-SMIT, VUB
Leo
Van Audenhove
imec-SMIT, VUB
1049
Gendered TV production. Or, why and how women work in media industries.
Tonny
Krijnen
Erasmus University Rotterdam
343
Race Talk: Investigating Popular Narratives of Professionalism at Work
Mackenzie
Agard
Toronto Metropolitan University (TMU)
5275
‘A treasured possession that has seen better days’: Work and memory at The Repair Shop
Deborah
Philips
University of Brighton
3282
A Triply Articulated Approach to Domesticating Netflix
Nicole
Stewart
Simon Fraser University
3234
When Chinese Films Win European Film Awards: Cultural Discount, Communication Accommodation, and Glocalizaiton
Yueqi
Li
Northwest University in China
1536
The Birth of a Slack Icon: the Mediatization of Talent Shows in the Interactive Media Ecology
Li
ZHI
Beijing Normal University-Hong Kong Baptist University United International College
Duanduan
Wei
Shanghai International Studies University
1866
Transform Global Pop Culture and Produce Local Taste: Take the marketing of overseas popular stores by China's WeChat subscription accounts as an example
Hangeng
Yang
Fudan University
1595
Capturing the ludic and the half-real: Understanding the practice of in-game photography
Aditya
Deshbandhu
University of Exeter

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