About Streaming: audiences and identities - OCP

OCP23 is now over. The full papers presented in the 2023 edition of Online Conference Papers are no longer accessible. You can read the original abstracts of the papers accepted for presentation onsite (Lyon23) and/or submitted online (OCP23) in the abstract books.

Chair: Frederik Dhaenens
1954
Streaming and Queer Diversity: A qualitative study into the Negotiation and Articulation of LGBTQ+ identities on Spotify
Ben
De Smet
Ghent University
Frederik
Dhaenens
Ghent University
3723
Listening alone, listening together and always listening: Branded competition for user experiences of international and local music streaming services
Miao-Ju
Jian
National Chung Cheng University
4380
“Everything for Someone”: Sundance Now and the Tenuous Evolution of Cinema-Specific Streaming Services
Anne
Major
Texas Christian University
1210
The Platformization of Global Distribution Channels in the COVID-19 Era: Korean Perspectives
Dal Yong
Jin
Simon Fraser University
3802
“I hate 208w”: An analysis of anti-celebrity discourse among the popular culture audiences in China
Xi
Wang
School of Journalism and Communication, Renmin University of China
1695
Netflix and the Ethos of Diversity
Benjamin
Han
Tulane University
1125
Global Platforms and Local Intermediaries in the Korean Wave
Kyong
Yoon
The University of British Columbia
52
Young Adults’ Perception About the Prevalence of Virtual Idols in China
Fei
Fan
BNU-HKBU United International College
Lin
Fu
BNU-HKBU United International College
Liushi
Guo
BNU-HKBU United International College

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