Members' books

In this section we announce recently published books by IAMCR members to the IAMCR community. If you are a member of IAMCR and would like to have your recent book listed, send us a message...

By Sherry S. Yu.
Using case studies of Korean media in Vancouver and Los Angeles, this book examines the potential of an intercultural media system for culturally, ethnically, and linguistically diverse societies.
Edited by David Chandler and Christian Fuchs, this volume explores activism, research and critique in the age of big data capitalism.
Edited by Massimo Ragnedda and Bruce Mutsvairo, this volume examines the risks and opportunities of a digital society characterized by the increasing importance of knowledge and by the incessant rise and pervasiveness of information and communication technologies (ICTs).
Edited by Arezou Zalipour
This comprehensive collection addresses essential questions about migrant, multicultural and diasporic screen media, policies of representation, and the new aesthetic styles and production regimes emerging from New Zealand film and TV.
By Anders Hansen and David Machin, this essential textbook provides a clear and authoritative introduction to qualitative and quantitative methods for studying media and communication.
By Tony Wilson, this book addresses academics and researchers in communication studies, marketing, psychology and social theory, as well as university methodology courses, recognising philosophy guides a discipline’s investigative insight.
By Natalie Khazaal, this groundbreaking book shows how the history of television in Lebanon is a history not merely of corporate technology but of a people and their continuing demand for responsive media, especially during times of civil unrest.
Edited by Tanja Dreher and Anshuman A. Mondal, this edited collection focuses on the ethics, politics and practices of responsiveness in the context of racism, inequality, difference and controversy.
A book about the Respublika! project,which was initiated and curated by Nico Carpentier and co-organised with NeMe and CCMC. The catalogue highlights the 18 Respublika! art projects, through project narratives, artist interviews and more than 200 photographs.
In this book, Jane Duncan assesses the relevance of Snowden’s revelations for South Africa. In doing so she questions the extent to which South Africa is becoming a surveillance society governed by a surveillance state.